Prometheus

The hype surrounding Prometheus has long been that it is a prequel to the Alien franchise. Director/Producer Ridley Scott admitted that the movie would be set in the same universe as the Alien series, but Prometheus would have it's own themes and mythology.

At first, Prometheus seems to stay true to the idea that Alien and Prometheus truly are separate entities. The opening sequence is wholly terrestrial with stunningly beautiful scenery. It shows a UFO that is more in line with pop-sych sightings than anything from the original Alien trilogy, and it introduces the first alien creature - one that does not resemble the creepy xenomorph we were introduced to in 1979's Alien.

The first few minutes of film prescribes to the extraterrestrial seeding origin of life theory - drawing heavy inspiration from the ancient astronauts pseudoscience. Scientists Elizabeth (Rapace) and Charlie (Marshall-Green) discover evidence in an ancient Scottish cave that points to a species of aliens that came to our planet and visited every pre-civilized culture on Earth. They interpret this evidence as a road map and embark on a quest to meet their makers.

Enter the Weyland Corporation. These two scientists convince the insanely wealthy Peter Weyland (Pearce), founder and CEO of Weyland Corporation, to fund an expedition to a distant Earth-like planet to seek our creators, beings they call Engineers.

From the first moment you see the craft Prometheus floating through space, the look and feel of the movie begins to seem reminiscent of earlier films in the franchise. The exploration of the domed structures is similar to the reconnaissance in the underground Antarctic pyramid from Alien vs. Predator. The phallic symbolism is as apparent in Prometheus as it was in the first Alien movie. The Engineer ship is the same as the aliens ship. The snakes in the oily goo look like the chest bursters. There are face huggers and ugly baddies. And an android with ulterior motives.

In fact, motives play a huge role in Prometheus. Damon Lindelof and Jon Spaihts (screenwriters) and Ridley Scott gave each of the characters a reason to be on that voyage. Everyone serves a purpose even if that purpose is to be the first to die.

I don't want to spoil too much of the plot or ruin any of the surprises because there are a few decent plot twists that breathe new life into the Alien franchise that was missing in the utterly bizarre Alien Resurection and the hokey pair of AvP films. While Scott would have you believe this movie was intended to be a prequel in only the vaguest sense of the word, the final scene makes it abundantly clear; we are watching something that belongs in the Alien mythos.

Prometheus is a must see for SciFi fans and those that enjoy scary movies. Some of the biggest moments of terror were rehashed from earlier Alien movies so those moments that were intended to be the most frightening have lost a bit of its bite. But there are some genuine shocks and scenes that are still tense and horrifying.

While the movie has superb cinematic sequences and a captivating story, it won't find broad appeal beyond genre fans. It's not the kind of movie that my wife would enjoy and it is definitely not for the squeamish.

Rise of the Planet of the Apes

I never quite understood the original Planet of the Apes movies. Perhaps I was too young when I first watched them, so the cautionary tales against nuclear war my have been lost on me. Or perhaps the morality tales confronting the social issues of the 70s were too complex for the younger version of Nic. Either way, I never considered myself a fan of the movies.

However, the concept intrigued me. It compelled me to re-watch the original series. It made me excited at the idea of Tim Burton working his magic with the mythology surrounding the Apes, but was disappointed by how Burton mangled the ending of 2001's iteration.

With that in mind, I approached this new reboot with cautious optimism.

My fears were unwarranted. The new Apes delivers a satisfying story that pays homage to the original movies, yet stands as it's own entity.

This isn't a sequel and not exactly a prequel. Where Charlton Heston's 1968 Apes played into that generation's fear of a nuclear holocaust, the new Apes capitalizes on bio-engineering and genetic mutation.

The film's protagonist, Will Rodman (Franco) is a genetic neuroscientist researching a cure for Alzheimer's disease with personal interest in hopes to save his father (Lithgow) who is battling Alzheimer's.

After a workplace accident, Will reluctantly becomes the guardian of a baby chimp - the offspring of a genetically altered test subject.

If you've seen the previews - or possess any understanding of the themes of the Apes movies, you know that this baby grows up to be an intelligent chimpanzee.

There is much in this movie to praise. The motion capture work with Andy Serkis (the man who brought LOTR's Gollum to life) is extraordinary. Lithgow's performance is convincing and tragic. The screenwriters created apt reason to feel empathy for the apes and provided enough foreshadowing to understand their motivation. And while Franco's role as a groundbreaking scientist is dubious, the relationship between him and Caesar the chimp makes the movie worthwhile.

Pay attention to the names given to the apes - many of them honor characters, cast members, or crew of the original series. For example, Caesar was the baby chimp born at the end of Escape and the main ape in Conquest.

Icarus - the spaceship that delivered Charlton Heston to the original planet - makes a cameo through broadcast and print news (hinting at a possible sequel). And the Statue of Liberty makes a creative appearance.

Fans of the original movies will find other familiar bits. A few lines of dialog were borrowed from the originals including the notorious "damn dirty apes" quip.

While entertaining and wholly satisfactory, Rise is not a perfect movie. Aside from casting Franco as a scientist, I have a few other complaints about the film. There were a couple prominent clips from the preview that did not make the final cut - a major pet peeve of mine. And some of the action sequences were blurry and/or dizzying.

Minor squabbles aside, Rise of the Planet of the Apes was a fantastic way to end the weekend. I give it nine angry monkeys out of ten.

(and yes, I know, they're apes, not monkeys)

Date Night

Meet Phil and Claire. Boring people with busy lives and eccentric offspring. They’re looking for a way to spice up they’re marriage. So they do what any other couple would do: seek therapy.

However, Phil (Steve Carell) and Claire (Tina Fey) have a different idea of what constitutes therapy: running from dirty cops and hitmen while bringing down a mob boss and a crooked politician. Who needs counseling when your life is in peril?

This movie would fail if it's only redeeming qualities were the wild stunts. The couple’s excape from central Park is peppered with humor, but it’s not believable. The chase sequence featuring Carrell crawling between the drivers seats of two cars welded together is beautifully shot - filled with suspense and witty dialog, but the whole thing reeks of improbability. The awkward dancing in the gentleman’s club leading to the ultimate end of the Foster’s adventure will make you laugh (or blush) yet it is so far beyond unlikely to be plausible in anyone’s imagination.

Yet this mash up of a romantic comedy and action thriller succeeds. I was amused and entertained. Date Night is a great movie for a date night.

What makes this movie work is the relationship between Phil and Claire. They’re normal people with an imperfect marriage and spastic children. They could be any of us. Their predictable dinner dates are much like the date nights of most married Americans. Their conversations (while being slightly funnier than the typical human) are natural and wholly believable as conversations that transpire between two married individuals. They react to stress like anyone else. And the many dangers they endure throughout the movie are not remedies, they’re reminders. This isn’t a movie about how Phil and Claire fix their marriage, it’s about how much Phil and Claire love each other. Whatever (hypothetically) happens after the final scene, they will still be boring people with busy lives and eccentric offspring. Yet they are busy and boring people in love.

Horton Hears a Who!

Approached with some trepidation (Jim Carrey does not have a stellar track record with Dr. Seuss adaptions - not even a decent reputation) Horton delivers what the makers of Grinch and the sad Mike Meyers venture Cat in the Hat could not accomplish: a pleasant family comedy.

The story should be familiar to fans of the Dr. Seuss tale. Horton, an elephant (voiced by Carrey) that hears a cry of help from a tiny speck of dust, finds himself the protector of a microscopic planet that is home to the Whos. He befriends the Mayor of Whoville (Steve Carell) while creating foes of a grouchy kangaroo (Carol Burnett), bad Vlad (there is also a good Vlad that makes cookies), and a horde of malicious monkeys. Horton and the mayor are in the same boat. None of the other jungle animals believes Horton's speck is inhabited by tiny people - except a few kids who pretend to carry their own world on a flower (including one odd character who's world has a population of horses that "all eat rainbows, and poop butterflies"). No one in Whoville believes the mayor's warning that they are a speck of dust floating through space and that their world is in peril if a giant elephant can't guide them to safety.

The animation is not the best, but it maintains Seuss's imaginative style. There are several creative liberties within the film, but it stays true to the spirit of the book by using several of the most well known phrases through both dialog and narration (including the timeless "a person is a person, no matter how small"). And that one line is a great lesson for kids my son's age as well as kids my age. Sometimes it's nice to see Hollywood portray worthwhile values. Horton Hears a Who also encourages creative expression - my kids's specialty.

On the downside, there are several insults thrown around like monkeys flinging poop. (thankfully, the monkeys in the movie use bananas as ammunition rather than feces). While it's a worthy effort to teach younger kids that it's not nice to call people names, they used the insult "boob" far too often (boob meaning moron, not the body part).

Bekah and I enjoyed the film and both of us laughed at several points throughout (the mock-anime sequence mid-film makes the movie worth repeated viewings). The kids loved the movie; they watched it over a dozen times in the week following the first screening. And since the DVD had to be returned to Netflix, we went and bought our own copy for the kids's Easter basket.

Horton Hears a Who will be joining the ranks of our family favorites.