Prometheus

The hype surrounding Prometheus has long been that it is a prequel to the Alien franchise. Director/Producer Ridley Scott admitted that the movie would be set in the same universe as the Alien series, but Prometheus would have it's own themes and mythology.

At first, Prometheus seems to stay true to the idea that Alien and Prometheus truly are separate entities. The opening sequence is wholly terrestrial with stunningly beautiful scenery. It shows a UFO that is more in line with pop-sych sightings than anything from the original Alien trilogy, and it introduces the first alien creature - one that does not resemble the creepy xenomorph we were introduced to in 1979's Alien.

The first few minutes of film prescribes to the extraterrestrial seeding origin of life theory - drawing heavy inspiration from the ancient astronauts pseudoscience. Scientists Elizabeth (Rapace) and Charlie (Marshall-Green) discover evidence in an ancient Scottish cave that points to a species of aliens that came to our planet and visited every pre-civilized culture on Earth. They interpret this evidence as a road map and embark on a quest to meet their makers.

Enter the Weyland Corporation. These two scientists convince the insanely wealthy Peter Weyland (Pearce), founder and CEO of Weyland Corporation, to fund an expedition to a distant Earth-like planet to seek our creators, beings they call Engineers.

From the first moment you see the craft Prometheus floating through space, the look and feel of the movie begins to seem reminiscent of earlier films in the franchise. The exploration of the domed structures is similar to the reconnaissance in the underground Antarctic pyramid from Alien vs. Predator. The phallic symbolism is as apparent in Prometheus as it was in the first Alien movie. The Engineer ship is the same as the aliens ship. The snakes in the oily goo look like the chest bursters. There are face huggers and ugly baddies. And an android with ulterior motives.

In fact, motives play a huge role in Prometheus. Damon Lindelof and Jon Spaihts (screenwriters) and Ridley Scott gave each of the characters a reason to be on that voyage. Everyone serves a purpose even if that purpose is to be the first to die.

I don't want to spoil too much of the plot or ruin any of the surprises because there are a few decent plot twists that breathe new life into the Alien franchise that was missing in the utterly bizarre Alien Resurection and the hokey pair of AvP films. While Scott would have you believe this movie was intended to be a prequel in only the vaguest sense of the word, the final scene makes it abundantly clear; we are watching something that belongs in the Alien mythos.

Prometheus is a must see for SciFi fans and those that enjoy scary movies. Some of the biggest moments of terror were rehashed from earlier Alien movies so those moments that were intended to be the most frightening have lost a bit of its bite. But there are some genuine shocks and scenes that are still tense and horrifying.

While the movie has superb cinematic sequences and a captivating story, it won't find broad appeal beyond genre fans. It's not the kind of movie that my wife would enjoy and it is definitely not for the squeamish.

The Vow

If you've seen the preview, you know the story. And not just part of it - but almost the entirety. A young couple suffer a severe tragedy in which the wife loses the previous five years of her memory. That memory loss includes any recollection of the courtship with and marriage to her husband. The husband spends the rest of the movie trying to woo her and remind her of their relationship. It's basically the same plot as Chuck's series finale - without the geeky humor and spy vs spy action.

But what's different from that Nerd Herding TV show is that The Vow is loosely based on a try story.

The rest of this review is laden with plot spoilers - which I don't feel bad about as the preview itself is a two minute plot spoiler.

Rachel McAdams plays Paige, the free spirited Artist inflicted with amnesia. Not only has she forgotten everything about her husband and the love they shared, but she doesn't remember anything about her current work and her time in art school. When she emerges from a coma, the last thing she remembers is being a law student engaged to another man.

Her parents (Jessica Lange & Sam Neill) are manipulative and selfish. Her real husband, Leo (Channing Tatum) is heartbroken. And half of the movie is a war between the factions of husband and parents - neither like the other and both think they have Paige's best interests in mind.

The other half of the movie is spent watching Leo's displays of devotion - all of which are fruitless.

Your opinion of this movie will vary depending on your outlook on life. Bekah found the film to be hopelessly romantic and inspiring, but that could be because most women want someone to love them as deeply as Leo loved Paige. That's why stories like Twilight are successful. I thought The Vow was wholly depressing. That could be because his repeated failed attempts remind guys of how they've previously failed in our own love stories. In The Vow, Leo kept doing all the right things and none of it worked.

By the end of the movie Paige and Leo may be heading to a restaurant for a meal together, but they're divorced. Leo is still hurt from his loss and unrequited love, and Paige is trying out art school again while trying to rediscover herself. The happy ending is only provided in the afterword. I'm not bummed that Paige never regained her memory. That would be taking too much creative license over the true events. But I am disappointed that the romance was not reignited during the film.

I'm not saying this is a bad movie. It was just OK. McAdams and Tatum are both decent in their romantic roles (although I don't buy Tatum as a hipster professional musician and recording studio engineer). Sam Neill is at his best when he plays characters that we're not supposed to trust. And I appreciated some of the more intelligent music references like the story of Thom Yorke turned into a motivational speech - which in my opinion was the best scene in the movie. Second best part? Hearing Pictures of You by The Cure during the closing credits.